The Passed is the latest EP from The Passing Fancy, the solo project of Wakefield based musician Paul Bateson.Kicking off with the reflective yet bouncy All I Wanna Do (Is Get Drunk Today), which instantly makes you want to be down the pub singing along to the chorus.Beer & Wine (I’ll Be Fine) screams of heartbreak, pulling at your heartstrings while also seeing a great take on traditional folk music by accompanying some wonderful strings along with guitars that meld together perfectly.The Passing Fancy then jump into a short sharp burst of garage rock on Let Me Know (Or Let Me Go) which sees a change in direction for them all be it a good one.Despite coming in at less than six minutes the EP is splendidly put together and with the promise of new music for later in the year it leaves me looking forward to hearing more from The Passing Fancy.
Aradia are an experimental post rock four piece from Portland who have self-released their self-titled EP.The drawn out, brooding intro to opening track Exile builds up a huge sense of anticipation before developing into a masterful track full of swirling guitars.Next up is Frantic a slow burner of a tune which leads you into a false sense of security before reaching a crescendo including a closing section which fits the title perfectly.Skin Changer follows the quiet/loud format which Aradia seem to do so well as well as demonstrating on this instrumental record that vocals are not always needed as excellent musicianship can speak for itself.The thought provoking Rotten has more than a shoegaze feel to it as well as featuring an introspective tone that ensures Aradia draw things to a close in a fine manner.
The latest offering from Wakefield duo The Do’s comes in the form of the single W.T.F, released on the independent label Philophobia Music.Full of menacing and fuzzy guitars, that has become a trademark of this extremely talented band, the track itself sees them keep up the fine form that has been demonstrated on previous releases.The chorus breaks into a glorious cacophony of noise that leaves you surprised that two people can make such a racket in addition to leaving you with the hope that W.T.F could be a teaser to a full-length record in the future.
One Day, After School (ODAS), began life as Wakefield musician Dean Freemans solo project which has since developed into a full band which now seems to have found a settled line-up.Having released various singles and EP’s in the past ODAS have now released their debut album, The Invisible Anchor, on Philophobia Music.ODAS describe themselves as Post Everything I’ll try to steer away from too many post rock/punk references as the band have quite clearly stated this for me.
Opener Deepsleep’s pounding beat drives through this instrumental track full of swirling guitars as well as understated keys, which combine for an exhilarating start to proceedings.21st Century Winters somehow manages to breeze effortlessly through the quiet/loud contrast which leads nicely into latest single Hammer & Anvil a brooding tune which stays with you long after its conclusion.The progression of ODAS’ sound can be acutely heard on tracks such as Arc which leads you into a false sense of security before building into a crescendo that is rapidly followed by the album’s title track which sees the band revert towards their sound on previous releases showcasing how much variety The Invisible Anchor carries.
It’s hard to see that the title of, When I loved Music, Everything Was New, isn’t reference to the recycling of bands influences in music which is inevitable, however the virtuosity displayed on the guitars make for a standout moment on the record.The somewhat muffled tones of Becoming Dust make for a shoegaze feel leading into the swooning beginnings of For Coca Cola which builds up into a wall of sound and feedback.The Invisible Anchor continues its rich vein of form with There Is Nothing For You Here which features the quiet and loud balance that ODAS seem to hit so well before being brought to a fitting end by the exquisite Escape Notes which is about as close to punk rock as the band gets.
Although it has been a long time in the make ODAS’ debut album was worth the wait and it somehow manages to leave you with hope despite the occasional post fatalism feel it has as well as leaving you longing for a shorter wait for album number 2.
Independent label Clue Records have started 2017 off by introducing their new monthly subscription service Clue Club. There will also be a single released by a different act each month, as well as there being ‘zine created by said act available to subscribers as well as a whole host of other goodies such as t-shirts and a compilation CD featuring all of the releases that will be a part of Clue Club. The first release as part of this monthly records club will be the split AA-Side from Leeds bands Fighting Caravans and Colour of Spring.
The opening track is, It’s A Nice Ride (To Be Fair), from Fighting Caravans who having toured extensively have gained a reputation as an explosive live band which sees their shows full of the unexpected which keeps the audience captivated. Full of encapsulating melodies that swoop through the song in addition to fierce lyrical content which takes hold of you making this brilliant tune absolutely fly by. When accompanied by the sublime sounds the band put together It’s A Nice Ride (To Be Fair) ensures that Clue Club would be well worth subscribing too.
Up next is Colour Of Springs offering, Frail, yet another great find from clue featuring a brilliant opening riff that dives straight into the heart breaking vocals that gives this song a real anthemic feel. There’s more than a touch of shoegaze to Frail, which is a truly exceptional tune that builds and builds until it reaches a climatic wall of sound. On the back of this AA-Side it’s easy to tell that Clue have done it again and released a couple of belters that make Clue Club, coming in at under thirty pounds, well worth subscribing to.
The Black Delta Movement are a five-piece band from Hull who have their roots firmly planted in a psychedelic and garage rock sound. The band formed back in 2010 and have released the Seven Circles EP which acts as a taster to what they’re all about as well as this they are currently embarking on a European tour across the continent.
The EP kicks off with its title track that fits comfortably into the psych rock bracket that has a great breakdown that allows the track to have a feeling of improvisation towards the end. Charlie Don’t Surf is more of a slow burner that allows its constant pounding beat to drive it along, whilst giving some excellent vocals a platform to shine. The long, drawn out Southlands is accompanied by some brilliantly subtle guitar parts that add depth to this song before building to a triumphant climax full of feedback that brings Seven Circles to a fitting conclusion.
DRGM are a trio from London who produce their own unique brand of electronic music which can be heard on their latest release, EP Etc, which has come out on the records etc label.
Lead track Felt has an intriguing intro that has an underground feel to it, that grows in a huge track which also has a simple but effective video that goes along with it. DRGM slow things down on Cherryade is a demonstration of the intricacy of DRGM’s compositions as well as verging on the Avant Garde. The smooth and sleek tones of Vanilla mixes things up nicely whilst continuing to demonstrate the outstanding vocal range of the lead singer, adding to the sense of cool that radiates from this band. Drip is the shortest track on the EP which gives it a real sense of the here and now about it that would instantly get anyone moving and should be an instant hit in my eyes.
Overall I would say this record is faultless and the only complaint I had is that I wanted to hear more so hopefully there might be a full length release in the future.